Leaving Las Vegas | All the action from the casino floor: news, views and more

Leaving Las Vegas | All the action from the casino floor: news, views and more

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In order to foil an extortion plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.

A lovelorn screenwriter becomes desperate as he tries and fails to adapt 'The Orchid Thief' by Susan Orlean for the screen. An arms dealer confronts the morality of his work as he is being chased by an Interpol Agent.

A shady police detective finds himself in the middle of a murder conspiracy at an important boxing match in an Atlantic City casino.

A mild-mannered chemist and an ex-con must lead the counterstrike when a rogue group of military men, led by a renegade general, threaten a nerve gas attack from Alcatraz against San Francisco.

Because his wife left him and took his son with her, screenwriter Ben Sanderson has started drinking, a lot.

He's getting more and more isolated and he troubles women in bars because he wants to have sex with them. When he gets fired, he decides to leave everything behind and move to Las Vegas and drink himself to death.

In Las Vegas he meets Sera, a prostitute with some problems as well who he moves in with. I've seen this film 5 or 6 times.

I believe author John O'Brien thought he was living through a hallucination in the final throes of his diseased life. The possibility rises out of several conspicuous dynamics in the film.

First, that Ben's life was invested developing Hollywood drama prior to being dismissed by his boss, who will clearly miss his talent and personality in the office, a talent singularly broken by the ravages of alcoholism.

He is good at inventing and developing "story". If his occupation had been Investment Banking or Teaching, I'd feel differently. But John O'Brien bore him with a Hollywood mind.

That lit the flame for me. That Ben repeatedly calls Sera his angel during his demise - as he enjoys the best of - and endures the worst of - Las Vegas living.

It is possible that all of it is a hallucination during the final pathetic act of his life. The invention of Sera makes his passing bearable, doable, a possible goal for him.

That Sera endures the college team horrors, discuses her relationship with the off-camera therapist to whom she confesses her soul-deep love for Ben In my last analysis, she is an angel divined in his fertile mind to embody all of the good people and events in his life the wealth flashback memories, e.

Sera has come to take him out while steeling the love in his heart. She sees him for what he is, because that's what responsible angels do. This is a work with metaphor far beyond the veneer of the surface dialog.

I suppose you have to admire someone who leaves this life on their own terms, however horrible they might be. View all 16 comments.

May 21, Horace Derwent rated it it was amazing. Jul 20, Lawrence FitzGerald rated it really liked it Shelves: John O'Brien was an alcoholic. He died at the age of 34 by a self inflicted gunshot two weeks after learning that Leaving Las Vegas , published four years earlier, would be made into a movie.

He was already too far gone by the time fame had found him. The story is about two lost people three if you count Al, Sera's former pimp on the fringe of society, lonely and alone.

It is a drunkard's fantasy, as O'Brien through Ben tells us numerous times, about a tragic drunk and a hooker with a heart of g John O'Brien was an alcoholic.

It is a drunkard's fantasy, as O'Brien through Ben tells us numerous times, about a tragic drunk and a hooker with a heart of gold. This kind of thing has been done to death, but usually as a story of redemption.

This is going to be an uphill climb for O'Brien, but he manages. How did he do it? The novel is by no means perfect. George Orwell had some rules for good writing, two of which go something like this: John O'Brien never heard of George Orwell's rules for good writing.

So, it you look at the reviews that mention O'Brien's prose, most remark on it unfavorably. It does take some getting used to, but after awhile you don't notice it.

Sera and her world are the subject of the first third of this short novel. Ben and his world take us a little past the halfway mark and the rest develops the relationship between Ben and Sera.

Not so much here. They don't know why they do what they do and neither do we. Perhaps that's just the way it is. Ben and Sera form a relationship out of loneliness and desperation.

This isn't going to be a pretty thing and it could have easily descended to the maudlin, but O'Brien is too smart for that.

Neither Ben nor Sera complain; their stoicism is remarkable. And O'Brien salts this sad tale with necessary doses of humor.

In so doing, O'Brien has given the readers a rooting interest in the characters. There can be no happy ending to this story; the readers know how it must end and O'Brien delivers.

It is the inevitable tragedy of flawed characters played out in slow motion and O'Brien has made us care all the way to the end. That is the genius of Leaving Las Vegas.

Oct 16, stacy rated it really liked it Recommends it for: Dec 31, Jonathan Sturak rated it it was amazing. One of my very favorites. Leaving Las Vegas is a study of three characters lost in their own worlds.

Sera grows from a naive girl lost on the streets in Los Angeles to a smart, sexy, and increasingly independent woman working the streets in Las Vegas.

I understand why Sera does what she does, and so does she. I particularly like Ben. He is the guy you see stumbling through the shadows at 2 am. Ben is lost in the world he lives in, shunned by society, by everyone, but he is grounded in his own worl One of my very favorites.

Ben is lost in the world he lives in, shunned by society, by everyone, but he is grounded in his own world. Ben has a plan and this is why his character is so powerful.

His plan of drinking himself to death sounds bizarre, even downright insane, but he has every detail worked out perfectly. This is where Ben gets interesting.

He is a good person deep down and my moments with him in the story really make me empathize with him. Al hides behind his Mercedes, his fancy jewelry, and his false sense of control over Sera.

While Sera and Ben are in the front seat of the car plummeting off the cliff with their eyes open, Al is in the backseat with his eyes closed.

He died too young. You live on through your words May 11, Asghar Abbas rated it it was amazing. Already seen the movie, loved it.

Now I must read the book too. I enjoy comparing movies to their source marterial especially if they are good.

Aug 10, Suvi rated it it was amazing Shelves: John O'Brien's debut novel was published in , making it the only one in his very short body of work that was published before his death by suicide in , only two weeks after finding out that his novel would be made into a movie.

This is less about how to deal with addiction than about the moments after Ben's decision to end his life, and the resolve that follows.

Ben is too far gone for a mirac John O'Brien's debut novel was published in , making it the only one in his very short body of work that was published before his death by suicide in , only two weeks after finding out that his novel would be made into a movie.

Ben is too far gone for a miraculous all-encompassing cure that suits the society's concept of redemption and happiness. Ben is at the end, at a point when he can't go back, but also - most of all - doesn't want to go back.

He moves into a different direction at the crossroads than you'd expect, just waiting for that final snap to come while walking through a limbo of motel rooms and empty bottles.

Some consider Leaving Las Vegas a romance, but I'd say it's about a connection deeper and less flimsy than that, almost primeval.

A connection that allows Ben and Sera to act like themselves without the need to pretend or to hide something in themselves they don't want or need others to see.

They show their true selves, true intentions, innards, and find their souls in each other. According to Erin , John's sister, he was a devout atheist, but Erin notes the presence of religious icons in his works and suggests he might have been thinking about spirituality during his last years.

Erin considers Sera a shortened form of a seraph. Seraphim are the highest form of heavenly beings in Christianity and caretakers of God's throne, and Pseudo-Dionysius the Areopagite 's description of seraphim in The Celestial Hierarchy is actually very relevant to Sera and how she's portrayed in relation to Ben: O'Brien doesn't lower himself to preaching a moralistic lesson about salvation, but instead challenges to think about an alternative path.

In the end, Sera and Ben accept each other's actions and understand, sometimes even without words, what the other needs.

It's the kind of companionship not everyone are able to experience in this life. Ben's motivations are largely left unexplained, and it's the lack of easy answers that makes the novel so involving and full of life.

Knowing where all's going to end up is painful, but there's comfort in knowing that Ben has had the chance to live on his own terms and spend his last moments with someone like Sera.

For those who are willing to see it, there are moments of beauty along the way, but they're just masked with the lights of strip joints and the stench of a stale casino carpet.

We can never know what O'Brien would have thought about the movie adaptation, but in my opinion it does justice to his work. For one, the cinematography is gorgeous.

It's like the visual equivalent of the feeling you get when you're reading the novel. Obviously, the book delves a little deeper and the relationship between Ben and Sera is probably more fleshed out, but otherwise the movie is very much worth two hours of anyone's life.

Originally, I slapped a four star rating on this, but my undying love of slow-burn stories has struck again, and so the amount of days I have thought about this since I read it warrants a full-blown five stars.

A very rare occurrence with me, I might add. Jan 26, E. It was slow at first, but then when Ben and Sera meet, it was really good.

Really, really, really good. And I appreciate that she didn't try to save him. How can you be so old? I'm just using you. Can we not talk about it anymore.

Please, not another word, okay? Sera's not living up to any agreement, she is simply living. Ben gave this ack to her, and therein lies the agreement.

Sep 01, Jeff Yoak rated it did not like it Shelves: Of all books I've abandoned, this is one of the ones I've put down most quickly.

The writing style seemed so clumsy and pretentious to me that I simply couldn't endure it. This literally is of a quality that if I was handed it by a high school student I could only respo Of all books I've abandoned, this is one of the ones I've put down most quickly.

This literally is of a quality that if I was handed it by a high school student I could only respond with a lecture about writing in your own voice and not trying to sound literary.

Jul 23, Jeremy rated it it was amazing Shelves: I was a fan of the film - in particular Cage's performance - so came to this novel with high expectations, and it delivered.

O'Brien manages to thread together some strong, all-too-human character sketches into a marvelous, haunting story. It is both beautful and thickly sad.

Triumph and tragedy are rarely so interestingly and engagingly welded together. It's unconventional almost drunken?

Richard Lewis as Peter. Valeria Golino as Terri. Graham Beckel as Bartender. Lee Ermey as Conventioneer. Laurie Metcalf as Landlady.

David Brisbin as Landlord. Xander Berkeley as Cynical Cabbie. Lou Rawls as Concerned Cabbie. Albert Henderson as Man at Strip Bar.

Steven Weber as Marc Nussbaum. Kim Adams as Sheila. Emily Procter as Debbie. Stuart Regen as Man at Bar. Henderson as Man at Strip Bar.

Shashi Bhatia as Hispanic Prostitute. Carey Lowell as Bank Teller. Anne Lange as Business Colleague. Thomas Kopache as Mr.

Vincent Ward as Business Man No. French Stewart as Business Man No. Lucinda Jenney as Weird Woman. Mike Figgis as Mobster No.

Waldemar Kalinowski as Mobster No. Ed Lauter as Mobster No. David Kriegel as Hotel Manager. Bill Thompson as Midwest Man at Poolside.

Marek Stabrowski as Pawn Shop Owner. Mariska Hargitay as Hooker at Bar. Danny Huston as Barman No. Shawnee Smith as Biker Girl.

Paul Quinn as Biker Guy. Julian Lennon as Bartender in Biker Bar. Tracy Thorne as Waitress at Mall. Bob Rafelson as Man at Mall. Susan Barnes as Desk Clerk.

Marc Coppola as Dealer. Goorjian as College Boy No.

He dies shortly thereafter. Elisabeth Shue as Beste Spielothek in Dorf Gutow finden. Beyond the Top George Orwell had some rules for good writing, two of which go something like this: We all knew the story of it, an alcoholic and a prostitute that fall in mainz 05 tv live with each other. There are many scenes that were cut from the film that are present in the book which are fascinatingly vile, but I do understand why they weren't inducted into the feature. Open Preview See a Problem? No hidden fees, equipment rentals, or installation appointments. Richard Lewis as Peter. The Free Lance Star.

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He died at the age of 34 by a self inflicted gunshot two weeks after learning that Leaving Las Vegas , published four years earlier, would be made into a movie.

He was already too far gone by the time fame had found him. The story is about two lost people three if you count Al, Sera's former pimp on the fringe of society, lonely and alone.

It is a drunkard's fantasy, as O'Brien through Ben tells us numerous times, about a tragic drunk and a hooker with a heart of g John O'Brien was an alcoholic.

It is a drunkard's fantasy, as O'Brien through Ben tells us numerous times, about a tragic drunk and a hooker with a heart of gold.

This kind of thing has been done to death, but usually as a story of redemption. This is going to be an uphill climb for O'Brien, but he manages.

How did he do it? The novel is by no means perfect. George Orwell had some rules for good writing, two of which go something like this: John O'Brien never heard of George Orwell's rules for good writing.

So, it you look at the reviews that mention O'Brien's prose, most remark on it unfavorably. It does take some getting used to, but after awhile you don't notice it.

Sera and her world are the subject of the first third of this short novel. Ben and his world take us a little past the halfway mark and the rest develops the relationship between Ben and Sera.

Not so much here. They don't know why they do what they do and neither do we. Perhaps that's just the way it is.

Ben and Sera form a relationship out of loneliness and desperation. This isn't going to be a pretty thing and it could have easily descended to the maudlin, but O'Brien is too smart for that.

Neither Ben nor Sera complain; their stoicism is remarkable. And O'Brien salts this sad tale with necessary doses of humor. In so doing, O'Brien has given the readers a rooting interest in the characters.

There can be no happy ending to this story; the readers know how it must end and O'Brien delivers. It is the inevitable tragedy of flawed characters played out in slow motion and O'Brien has made us care all the way to the end.

That is the genius of Leaving Las Vegas. Oct 16, stacy rated it really liked it Recommends it for: Dec 31, Jonathan Sturak rated it it was amazing.

One of my very favorites. Leaving Las Vegas is a study of three characters lost in their own worlds. Sera grows from a naive girl lost on the streets in Los Angeles to a smart, sexy, and increasingly independent woman working the streets in Las Vegas.

I understand why Sera does what she does, and so does she. I particularly like Ben. He is the guy you see stumbling through the shadows at 2 am.

Ben is lost in the world he lives in, shunned by society, by everyone, but he is grounded in his own worl One of my very favorites. Ben is lost in the world he lives in, shunned by society, by everyone, but he is grounded in his own world.

Ben has a plan and this is why his character is so powerful. His plan of drinking himself to death sounds bizarre, even downright insane, but he has every detail worked out perfectly.

This is where Ben gets interesting. He is a good person deep down and my moments with him in the story really make me empathize with him.

Al hides behind his Mercedes, his fancy jewelry, and his false sense of control over Sera. While Sera and Ben are in the front seat of the car plummeting off the cliff with their eyes open, Al is in the backseat with his eyes closed.

He died too young. You live on through your words May 11, Asghar Abbas rated it it was amazing. Already seen the movie, loved it. Now I must read the book too.

I enjoy comparing movies to their source marterial especially if they are good. Aug 10, Suvi rated it it was amazing Shelves: John O'Brien's debut novel was published in , making it the only one in his very short body of work that was published before his death by suicide in , only two weeks after finding out that his novel would be made into a movie.

This is less about how to deal with addiction than about the moments after Ben's decision to end his life, and the resolve that follows.

Ben is too far gone for a mirac John O'Brien's debut novel was published in , making it the only one in his very short body of work that was published before his death by suicide in , only two weeks after finding out that his novel would be made into a movie.

Ben is too far gone for a miraculous all-encompassing cure that suits the society's concept of redemption and happiness. Ben is at the end, at a point when he can't go back, but also - most of all - doesn't want to go back.

He moves into a different direction at the crossroads than you'd expect, just waiting for that final snap to come while walking through a limbo of motel rooms and empty bottles.

Some consider Leaving Las Vegas a romance, but I'd say it's about a connection deeper and less flimsy than that, almost primeval. A connection that allows Ben and Sera to act like themselves without the need to pretend or to hide something in themselves they don't want or need others to see.

They show their true selves, true intentions, innards, and find their souls in each other. According to Erin , John's sister, he was a devout atheist, but Erin notes the presence of religious icons in his works and suggests he might have been thinking about spirituality during his last years.

Erin considers Sera a shortened form of a seraph. Seraphim are the highest form of heavenly beings in Christianity and caretakers of God's throne, and Pseudo-Dionysius the Areopagite 's description of seraphim in The Celestial Hierarchy is actually very relevant to Sera and how she's portrayed in relation to Ben: O'Brien doesn't lower himself to preaching a moralistic lesson about salvation, but instead challenges to think about an alternative path.

In the end, Sera and Ben accept each other's actions and understand, sometimes even without words, what the other needs. It's the kind of companionship not everyone are able to experience in this life.

Ben's motivations are largely left unexplained, and it's the lack of easy answers that makes the novel so involving and full of life. Knowing where all's going to end up is painful, but there's comfort in knowing that Ben has had the chance to live on his own terms and spend his last moments with someone like Sera.

For those who are willing to see it, there are moments of beauty along the way, but they're just masked with the lights of strip joints and the stench of a stale casino carpet.

We can never know what O'Brien would have thought about the movie adaptation, but in my opinion it does justice to his work.

For one, the cinematography is gorgeous. It's like the visual equivalent of the feeling you get when you're reading the novel.

Obviously, the book delves a little deeper and the relationship between Ben and Sera is probably more fleshed out, but otherwise the movie is very much worth two hours of anyone's life.

Originally, I slapped a four star rating on this, but my undying love of slow-burn stories has struck again, and so the amount of days I have thought about this since I read it warrants a full-blown five stars.

A very rare occurrence with me, I might add. Jan 26, E. It was slow at first, but then when Ben and Sera meet, it was really good.

Really, really, really good. And I appreciate that she didn't try to save him. How can you be so old? I'm just using you. Can we not talk about it anymore.

Please, not another word, okay? Sera's not living up to any agreement, she is simply living. Ben gave this ack to her, and therein lies the agreement.

Sep 01, Jeff Yoak rated it did not like it Shelves: Of all books I've abandoned, this is one of the ones I've put down most quickly.

The writing style seemed so clumsy and pretentious to me that I simply couldn't endure it. This literally is of a quality that if I was handed it by a high school student I could only respo Of all books I've abandoned, this is one of the ones I've put down most quickly.

This literally is of a quality that if I was handed it by a high school student I could only respond with a lecture about writing in your own voice and not trying to sound literary.

Jul 23, Jeremy rated it it was amazing Shelves: I was a fan of the film - in particular Cage's performance - so came to this novel with high expectations, and it delivered.

O'Brien manages to thread together some strong, all-too-human character sketches into a marvelous, haunting story.

It is both beautful and thickly sad. Triumph and tragedy are rarely so interestingly and engagingly welded together. It's unconventional almost drunken?

Perhaps, in points, the narrative focus can get a little abrasive in the sense of I was a fan of the film - in particular Cage's performance - so came to this novel with high expectations, and it delivered.

Perhaps, in points, the narrative focus can get a little abrasive in the sense of being un-necessarily leading, but this is a very minor hiccup in a great modern novel.

Jul 29, Matt added it. I think what amazes me is the number of times I have referenced or quoted this book. It is the most remarkably sad, depressing story that is still a love story, in some strange world.

More Top Movies Trailers. DC's Legends of Tomorrow: The Crimes of Grindelwald First Reviews: Less Magical than the First.

Leaving Las Vegas Post Share on Facebook. View All Photos 5. The unusual twist in this critically acclaimed drama is the lovers' mutual agreement not to try to change one another.

Nick Cage won the "Best Actor" Oscar as a depressive alchoholic determined to drink himself to death. Nicolas Cage as Ben Sanderson.

Elisabeth Shue as Sera. Julian Sands as Yuri. Richard Lewis as Peter. Valeria Golino as Terri. Graham Beckel as Bartender. Lee Ermey as Conventioneer.

Laurie Metcalf as Landlady. David Brisbin as Landlord. Xander Berkeley as Cynical Cabbie. Lou Rawls as Concerned Cabbie.

Albert Henderson as Man at Strip Bar. Steven Weber as Marc Nussbaum. Kim Adams as Sheila. Emily Procter as Debbie. Stuart Regen as Man at Bar.

Henderson as Man at Strip Bar. Shashi Bhatia as Hispanic Prostitute. Carey Lowell as Bank Teller. Anne Lange as Business Colleague. Thomas Kopache as Mr.

Vincent Ward as Business Man No. French Stewart as Business Man No. Lucinda Jenney as Weird Woman. Mike Figgis as Mobster No.

Waldemar Kalinowski as Mobster No. Ed Lauter as Mobster No. David Kriegel as Hotel Manager. Nicolas Cage stars as a suicidal alcoholic in Los Angeles who, divorced and recently fired, has decided to move to Las Vegas and drink himself to death.

Once there, he develops a romantic relationship with a pretty but hardened prostitute played by Elisabeth Shue , which forms the center of the film.

O'Brien died by suicide after signing away the film rights to the novel. After limited release in the United States on October 27, , Leaving Las Vegas was released nationwide on February 9, , receiving strong praise from critics and audiences.

Ben Sanderson is a Hollywood screenwriter whose alcoholism costs him his job, family, and friends. With nothing left to live for, and a sizable severance check from his boss, he heads to Las Vegas to drink himself to death.

One early morning he drives drunkenly from his Los Angeles home down to the Las Vegas Strip ; he nearly hits a woman, Sera, on the crosswalk.

She chastises him and walks away. Sera is a prostitute working for an abusive Latvian pimp , Yuri Butsov. Polish mobsters are after Yuri, so he ends his relationship with Sera in fear that the Poles may hurt her.

Sera agrees, but Ben does not want sex. Instead, they talk and develop a rapport; Sera invites Ben to move into her apartment.

Ben instructs Sera never to ask him to stop drinking. Sera asks Ben not to criticize her occupation, and he agrees. At first, the pair are happy, but soon become frustrated with the other's behavior.

Sera begs Ben to see a doctor, which makes him furious. While Sera is out working, Ben goes to a casino and returns with another prostitute.

Sera returns to find them in her bed and throws Ben out. Shortly afterward, Sera is approached by three college students at the Excalibur Hotel and Casino.

She initially rejects their offer by stating that she only "dates" one at a time, but eventually acquiesces when she is offered an increased price.

When she enters their hotel room, the students change the deal and demand anal sex, which she refuses. When she attempts to leave, they gang-rape her.

The next morning, Sera is spotted by her landlady returning home bruised and is evicted. Sera receives a call from Ben, who is on his deathbed.

Sera visits Ben, and the two make love. He dies shortly thereafter.

Leaving Las Vegas | All The Action From The Casino Floor: News, Views And More Video

Leaving Las Vegas (Casino scene) Das ist eine saubere Überleitung zu…. Endemol Games and Beste Spielothek in Metzlesdorf finden Bet are the developers of Deal or No Deal Blackjack like the other titles in the franchiseand they made free online casino games slots transition almost nicolas cage casino. Ive been multiple times. He learned as much when he spent the next two days gambling on his own. Their mission is to provide seamless social game services to global game players by developing fun and user-friendly on-line games. All of the above may be true, but. When she tennis stuttgart spielplan their hotel room, the students change the deal and demand anal sex, which she refuses. There are no discussion topics on this book yet. They show their true selves, true intentions, innards, and find their souls in each other. Best Movies About Addiction. Casino bonus low wagering this is also a beautiful and compulsively readable masterpiece. It's a scene of mixed emotions, although he is condemning himself, it is also an casino full script of liberation. He just shows us what it takes to get through the day as one. Lawrence FitzGerald The short answer is yes. It was forced, you can feel it, because luckily that short subplot is short monaco champions league somehow doesn't intrude on the pure magic of this novel - the story of the two main characters, Ben and Sera. A version of " Lonely Teardrops " performed by Beste Spielothek in Hattstedtfeld finden McDonald that features in the film is not included.

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